Pilgrims to the National Shrine of Saint Jude first pass through the parish church of Our Lady of Mount Carmel, which is itself a place of prayer and beauty.
The interior of the parish church of Our Lady of Mount Carmel, Faversham.
The high altar was made to the design
of an old carver from the Rochester School of Art. He also carved
the rood behind the high altar. The central figure of Christ is
perfectly done, but the figures of Saint John and Our Lady are unfinished
because the carver's right arm became stiff through arthritis.
The group were erected in their unfinished state. The peculiar
thing about that decision is that many artists and art historians admire the unfinished
statues more than they admire other statuary in the church.
The Rood (Cross) behind the High Altar.
Floor and panelling
The floor of the church is of
Australian Jarrah wood, and the oak panelling
around the walls came from the old Church House, Dean's Yard,
Westminster Abbey. These old headquarters of Anglican administration
were pulled down to make room for the new Church House. Fr. Elias
Lynch, O.Carm., bought much of the oak panelling from the old place
at scrap prices and used it to add a little glory to the old cinema.
What he did not need is now scattered over many places in North
A Carmelite preaching in the parish church.
Murals by Edward Ardizzone
The murals in
the Sanctuary are by Edward Ardizzone. Many people knew of him
as a first rate line artist and illustrator of books. If you see
a copy of "My Uncle Silas" by H. E. Bates, you will
see Mr Ardizzone's inimitable line drawings illustrating its pages.
If you want a quiet chuckle and at the same time to delight your
eye, you cannot do better than find a copy of it. The work in
the church at Faversham was Mr Ardizzone's first attempt at mural painting,
and the result is a joy to see.
The altar and rood, flanked by Ardizzone's murals.
Flanking the rood (cross) are two angels.
The angels painted by Edward Ardizzone.
The angels look down upon two scenes in the life of the Blessed Virgin Mary, Our Lady. On the left is "The Presentation of Our Lady in the Temple" and on the right is "The Visitation of Our Lady to Elizabeth".
"The Presentation" mural by Edward Ardizzone.
mural by Edward Ardizzone.
Font is by Anthony Foster and was originally in the outer area
of St. Jude's Shrine. On each side of the octagonal font are carvings
of early Christian symbols - an eagle, a ship with the sail bearing
the crosses keys of St. Peter, a winged bull, a winged lion, a
fish, an angel, a flame and a cross.
The font in Our Lady of Mount Carmel parish church.
Shrine of the Holy Infant Jesus of Prague
On the left as
you face the altar is a side chapel that houses a small shrine of the Holy Infant Jesus of Prague. The original statue of the Infant Jesus is in
the Discalced Carmelite Church in Prague, and came originally from Spain.
It was brought to Bohemia by a Spanish princess whose family had
treasured it as a miraculous heirloom. The princess's daughter
was generous to the Carmelites, and presented it to the friars
saying, "I hereby give you what I prize most highly in this
world. So long as you venerate this image you shall not want."
From that time onwards the community prospered both spiritually
and temporally. But when the devotion to the Infant Jesus was
relaxed, God's blessing seemed to depart from the house.
statue in the chapel came from Prague, and is the work of the
Czech sculptor Krechler, and is as near a copy as we could get
of the world famous statue there. You may notice in it the high
cheek bones of the Slav race. The crown is of course, the crown
of Bohemia because he is the Little King - the King of Bohemia. The original vestments, which are a copy of the court robes of
Bohemia in the 16th century, were made by the nuns of a convent
near the Church of the Divine Infant of Prague. The vestments,
in use at present, on the statue were made by a benefactor, and
are changed according to the liturgical seasons.
In June 1938 the
Archbishop of Southwark gave permission for the erection in Faversham
of the Confraternity of the Holy Infant of Prague, and affiliated
it to the Arch-confraternity of the Merciful Child Jesus of Prague
in the Church of Our Lady of Victories in Prague.
exists to promote the love and veneration of the Holy Name of
Jesus, and by God's grace to establish his reign in the hearts
of all through faith, hope and love.
The Krechler statue of the Infant of Prague.
It is not known
where the stained glass window above the statue came from. It
depicts, on the left, Blessed Juliana of Mount Cornillon and,
on the right, Saint Clare. Bl. Juliana was a nun of Cornillon,
near Liege, Belgium, and to her more than anybody else the institution
of the feast of Corpus Christi is due. Her suggestion initially
met with opposition, but the feast was formally adopted in the
diocese of Liege in 1246. St. Clare joined St. Francis, and founded
the first convent of Franciscan nuns, now called "Poor Clares".
She died in 1253.
Shrine of the Little Flower
On a wall
in the little side chapel is the Shrine of the Little Flower. St. Thérèse
of Lisieux, known as the Little Flower, was born in 1873 and died
in 1897. She became a Carmelite nun when she was fifteen, and
inspired many through her "little way" of simplicity and
in the doing of small acts inspired by love The shrine is rather unusual, because
instead of presenting St. Thérèse, standing in isolated
intercession and favour, she is linked up with Our Blessed Lady
of Mount Carmel and the Holy Child. The roses which she distributes,
come to her from the Holy Child by favour of Our Blessed Lady.
In other words, the Shrine links up St. Thérèse
of Lisieux with Our Blessed Lady of Mount Carmel and the Holy
The Shrine of St. Thérèse, the "The Little Flower".
Other artwork in the Church
Several statues in the church are the focus of devotion to Our Lady of Mount Carmel, Saint Joseph, and Saint Thérèse of Lisieux.
The statues of Our Lady of Mount Carmel, St. Joseph, and St. Thérèse.